1.
There is no such thing as magic
Svenskt Tenn / Beijerinstitutet
Identity for the annual
interdisciplinary collaboration between the students on the Visual
Communication programme at Beckmans College of Design, researchers at
Beijer Institute and Svenskt Tenn.
The identity is based
on the research of scientists at the Beijer Institute, focusing on
artificial intelligence—its risks and opportunities. We tend to talk
about AI as if it were something magical that comes out of nowhere,
something beyond our control. In reality, the processes behind what we
call AI can be understood, questioned, and improved. To let the
analogy stop at it being magic, is a mistake.
Website
With Adam Arinbjarnarson and Solvej Jansson
2.
Spegling
Art Direction and graphic design within the collaboration between
Beckmans College of Design and A house, exploring the question: "What
drives the workplace of the future?"
Mirroring is a human behavior where we unconsciously imitate others'
traits, body language, and emotions. The psychology of mirroring also
affects us through the spaces we occupy, and the workplace of the
future is a place that more and more people have the opportunity to
shape themselves. Where do we want to be when we know that more than
just aesthetics matter? And what impact does mirroring our
surroundings have on our productivity, creativity, work ethic, and
motivation?
Featured in Resume 2025
With Elvin Odelholm och Solvej Jansson
3.
Deform/reform
Poster wall for Restaurant Forma together with ASSO.
During my internship at ASSO, I worked with a photo concept that was
visualized through a poster wall. The design featured deformed images,
playing with the name of the restaurant.
4.
TYDA
Graphic identity for collaboration with Vandalorum Museum and String
furniture.
The theme of the exhibition was Folkhemmet.
Around each component of Swedish historiography, we found infinite
possibilities for interpretation and connotations. Through the visual
identity, we wanted to visualize what it is like to understand Swedish
identity, culture, and history on those terms. The graphic identity
used post it notes as a metaphor for the way one thought cause
another, creating a chain that ends in another place than it began.
With
Adam Arinbjarnarson and Måns Horning
5.
Höljet
Typesetting for book by Evelina Jonsson during my internship at Our Polite Society.
